LEWITT LCT 440 PURE XLR condenser microphone for voice, singing, instrument recording, and streaming

Product Information

The first thing I did when I received my LCT 440 PURE, one of the first production models to arrive in the country, was to compare it to the previously-reviewed LCT 640 TS in cardioid pattern. Sonically I could perceive little difference between the two. The LCT 440 PURE lives up to its name and does its big brothers proud, being ultra-clean and natural sounding. It’s very much in the “what your source sounds like is what you get” camp. The 1-inch true condenser capsule captures your audio source with immense detail, retaining every nuance of your sound for exceptional audio fidelity. The clarity and depth the Lewitt Pure delivers preserve the tonality and emotion of your performance. High-end clarity for a natural sound

The sE2300 is the multi-pattern sibling of the hugely popular sE2200, famously adopted by vocal powerhouses such as Amy Winehouse. This smooth-sounding microphone builds upon its predecessor by adding an optimised signal path that delivers even lower noise and increased clarity. With super-low self-noise and the ability to handle ear-shattering sound pressure levels, one thing is for sure - nothing will limit your performance on the technical side. PURE function Given that, there is no place or source where I would be hesitant to use the LCT 440 PURE. Despite its slimmed-down feature set compared to its siblings, it provides the LEWITT sound through and through. This is an entry-level mic that no studio would ever outgrow!Trying to find things i don't like is hard as the LCT440 is a dynamite performer on everything i've put in front of it so far.The leap in quality of recorded sound has made a big impression upon me and i'm over the moon i made the choice of Lewitt. However, what impressed me the most was that the Lewitt LCT 440 PURE produces LESS self-noise than the Sennheiser MKH 416 (7dB vs 13dB).

I think most will agree with me that the strength of a condenser microphone lies in its ability to capture high-frequencies with crystal-clear response.

However, if I had the choice between all 4… I’d go with the Lewitt. That’s partly because the TLM-103 has a high-frequency roll-off after 16 kHz. You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. Elevated Sound Quality - The LCT 440 PURE - VIDA EDITION utilizes the same premium components and capsule technology found in LEWITT's prestigious models, ensuring that your recordings are characterized by a larger-than-life sound with remarkable depth and clarity. Each capsule is meticulously calibrated and tested to meet the highest quality standards, allowing you to capture your unique personality and the emotions you pour into your performances. Lewitt’s new vocal and instrument microphone retains the essence of their established models, but at a much more attractive price.

Lastly, the industry-leading 10-year warranty offered by RODE is also something to consider. However, all of the microphones we’ve talked about so far (especially the Sennheiser MKH 416) are incredibly durable and should last you MANY years. Looking through the grille on the two mics reveals a larger, one-inch capsule in the LCT 440 Pure, compared to the 0.67 inch capsule in the LCT 240 Pro, and while the accessories in each box also differ slightly, it’s this difference in the capsule that really sets the two mics apart. The RODE NT1 sounds much more neutral and balanced because it doesn’t boost the higher frequencies. The RODE NT1-A actually sounds quite harsh in the top-end. Today we're looking specifically at the Lewitt LCT 440 Pure, which is its mid-range condenser aimed at a range of studio applications including vocals, speech and acoustic instruments, although Lewitt claims it has more than enough ability to be classed as a proper studio all-rounder. It’s also one of the few budget large-diaphragm condenser microphones that doesn’t roll-off any of the high-frequencies. It’s very transparent and has LOTS of clarity.

The best sub £/$300 condenser microphone out there right now?

Capture every nuance of your instrument or voice in any recording scenario. Use it to record your vocals, acoustic instruments, guitar amplifiers, drums and percussion, and everything else. PURE feel That’s probably why you liked it so much on drums (as overheads, right?), it’s great for taming the harshness of cymbals! Same thing for the KSM32. Conversely, the more honest sound of the LCT 440 Pure is more suited to simpler mixes, perhaps just a guitar and voice, where the extra bottom end won’t be getting in the way of other instrumentation. However, the broader, flatter response of this microphone also makes it easier to EQ into shape, should the natural tone of the mic not suit the mix. Head-to-head: vocals That could come in handy if you’re recording instruments like the electric guitar, but I personally prefer the Lewitt LCT 440 PURE because it remains flat even in the top-end. The LCT 240 Pro on the other hand has a little more nice, mid-focused character to it. This means it’s great for guitars and some voices, but not quite as versatile as the LCT 440 Pure.

In fact, at this low price, I would recommend that beginners consider purchasing a pair of LCT 440 PURE models for dual-mic and stereo work. If you don’t need multiple patterns yet, and you use your mic preamp and/or DAW for highpass filtering (gain control at the preamp isn’t the same as a pad on the mic itself), you can get two wonderfully clean mics that will do great service in all sorts of applications for about the same price as a single LCT 450, and for far less than the fancier LCT models. The most impressive thing about this microphone is the sound it captures. It is very detailed and refined, with clear reproduction of sound source(s). It's neutral and true to the source, without coloration, but tuned to give a slight boost in high frequencies. It has nothing in similar with the nasty/piercing sound of the overly bright cheep condenser microphones. It’s made even more versatile by its three polar patterns (cardioid, omni and figure-eight); a -10dB pad, great for capturing louder sources, and a low-cut for curbing unwanted proximity induced low-mid boost while in either of the directional modes. The microphone features impressive specs with self noise of 7dB (A) and a sensitivity of 27.4mV/Pa which means it will not introduce any noise in the signal chain and you'll need less preamp gain. It is therefor suitable for recording quiet sources such as Foley.

Customer Added Media

Both of these two microphones clearly have their place: the LCT 240 Pro is more suited to guitars used alongside other instrumentation, particularly bass and drums, where the more mid-forward presence would help the acoustic guitar to sit in the mix without getting in the way of the other instruments. Lewitt Limited Edition LCT 440 Pure Puristic Studio Condenser Microphone, VIDA Edition Specifications: The LCT 440 Pure’s design provides ultra-low self-noise, eliminating any operational noise for the purest signal possible. It is also able to handle high sound pressure levels, making it great as an all-round microphone. Its robust and highly durable housing features a built-in grille, which not only reinforces the strength of the microphone but helps to improve the audio performance.